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我们隔壁邻居的一个表哥的姑妈人脉广常在县里各处走动的据她说咱们这县里有不少人都一夜之间老了许多哦你说这个我也听说了真的很奇怪想必他们是...此周礼所以禁怪民欤交河老儒及润础雍正乙卯乡试晚至石门桥客舍皆满唯一小屋窗临马枥无肯居者姑解装焉群马跳踉夜不得寐人静后忽闻马语及爱观杂书先记宋人说部中...
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从选角服装建筑发型发饰人物细节衣着细节建筑细节风景细节武器人设音乐语言镜头设置……等等等等有太多太多的喜欢电视剧马迭尔旅馆的枪声喜欢的太多太多恢弘强大饱满深沉我总算体会到为什么这会是奥斯卡经典大片
啊不拉垮大步喇
bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing电视剧马迭尔旅馆的枪声可能因为我本身就是一个凝视这个群体的外人
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